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Wing Chun has three hand forms, a wooden dummy form and two weapons forms. The forms are:

Sil Lim Tao - The Beginning Little Idea
Chum Kiu - Searching for the Bridge
Biu Chee - Thrusting Fingers
Mook Yan Jong - The Wooden Dummy Form
Luk Dim Poon Kwan - The Wooden Pole Form
Pah Chum Do - Eight Slash Knives Form
Chi Sau

Sil Lim Tao - The Beginning Little Idea Form

The first of the three forms in the Wing Chun Kung Fu System reminds us that in the beginning the kung fu student has to remember just a little because the learning and understanding of the basics is crucial in order that a good foundation is built. This will ensure further progress.

The form is divided into three parts, each of which has its own vital role in the development of the kung fu student and success now ensures success later. Do not chew more than you can eat. Build your kung fu upon the solid foundation of understanding.

The first section teaches the correct structure of the horse stance, the centerline and the punch. It emphasizes correct structure of the techniques all based upon relaxation. The elbow is emphasized throughout the first section to maintain safety and structure of the hand positions on the centerline. Your body generates and stores energy (qi) through very slow movement, open energy channels from the stance and relaxed and expanded breathing. Eventually you will be able to move your qi from the core of your storage area to all areas in your body; from core to extremities and back again. This is your qi gong training within the Wing Chun system. This part of the form is completed very slowly to ensure proper learning and structure. The mind and body begin to integrate and the training of the “ye” or intention begins to take place. In this way we find that the nature of SIL LIM TAO is to help the student build a good foundation in order to progress to the next stage.

In the second section, we now focus on releasing the qi that we have stored therefore it is done loose and fast. Keep the movements clean and simple and avoid being overly concerned with applications. Concentrate on keeping the moves simple and on the centerline. This section trains us to use long arm energy at different angles.

The third section concentrates on a combination of technique culmination with hitting the centerline. The correct timing of this section allows the student to feel the “flow” of the various hand techniques to its inevitable conclusion which is to strike either with a vertical fist or palm. Each movement must be precise, efficient and reasonable. At the same time we complete the set of TAN, BONG and FUK which is the structural foundation on which the hand positions are built.

SIL LIM TAO is to be played for a lifetime. The more you do it, the more it helps every aspect of your Wing Chun both physically and mentally. The “horse” or stance is trained as a stationary foundation and the basis for footwork later on. Without Sil Lim Tao, your footwork will not have the required balance and unity.

Chum Kiu– Searching for the Bridge

Since Sil Lim Tao develops proper structure, stance, centerline, hand-eye coordination, qi development, body unity and the power of proper intent, Chum Kiu adds and develops three more energies. These are forward momentum, pulling momentum and turning momentum. These energies add significant power to all Wing Chun techniques though coordinated movement of the body along both linear and circular paths. Practicing Chum Kiu will lead to a heightened awareness and understanding of the ways in which these movements enhance and magnify natural body power –qi. The nature of this form is to train your body balance by playing the form. The more you practice this form the better your balance will be. Chum Kiu is a brined to a greater understanding of the Wing Chun system.

This form is divided into three sections. In the first section we train several crucial concepts that will enhance your kung fu. These movements train the body to move in coordinated unison to fully maximize efficient use of the body’s qi in implementing hand techniques while maintaining balance as the centerline is changed. These movements train our timing as well as develop flawless hand replacement; as one hand retreats from the centerline to the guard position, the other hand replaces on the advance position on the centerline. This ensures that control of the centerline is never given away. Our “dead horse” stance from Sil Lim Tao now becomes alive in the practice of Chum Kiu.

In the second section, Dim Gerk kicking is introduced in the form. This practice allows the student to deliver powerful, economical and efficient kicks while maintaining optimal balance while communicating little visual intent with the upper body. The student learns to shift his/her weight to the back leg to help deliver power to the kicks while maintaining balance and sensitivity along the centerline with the leg/feet.

The third section focuses the student to develop unity of the horse stance and hand techniques to better develop body power through kicking, stepping and changing the centerline.


Biu Chee– Thrusting Fingers

This form has a nickname “GOW GUP SAU” which means “Emergency Hands”, the 911 of Wing Chun. This is appropriate because Biu Chee techniques are used to recover from a loss of centerline control. Biu Chee trains our hands to go back to the centerline, just as the compass points to North; hence another name for the form is “Standard Compass”.

This form is also the scrutiny and understanding of the source of each Wing Chun technique. After mastering Biu Chee, the student should have sufficient knowledge to express Wing Chun at a more personal level. The introduction of advanced principles and techniques are found in Biu Chee which underlines the importance of this form. The nature of this form is to train the hands to return to centerline as soon as possible as this is the strength and pillar of the Wing Chun system’s theory.

As important as this form is, students should not rely on the use of the Biu Chee techniques or energy as it should be used only when thing have gone badly such as when the centerline, structure and/or balance have been lost. Elbow techniques are introduced in this form and should only be used in an emergency situation when one’s hand/arm structure has been collapsed or jammed. Train diligently to AVOID the use of Biu Chee techniques in a real self- defense situation and feel safe and reassured that you have them in your pocket if you ever need them.

Mook Yan Jong– Wooden Man Form: 108 Moves
 

Mook Yan Jong is a training device precious to the Wing Chun system. It is the final stage of training for hand and foot techniques. Therefore, those who have studied this form must have achieved a high level of proficiency in the art of Wing Chun. The Jong techniques include practically all of the hand and foot techniques. They are those techniques in various combinations and applications. These can be broken down into three categories: 1) Neutralization maneuver 2) Confrontation and counter Attacks and 3) Blatant Attacks. Precision and understanding are of the utmost importance. The form trains one to respond to an attack with a counter that is not only instantaneous and spontaneous, but the most appropriate and effective in any given situation. Some techniques may not seem to conform to Wing Chun’s theory of economy of motion, but they are actually to compensate for the fact that the Jong itself doesn’t turn as a real opponent would when struck or blocked with force. Remember it is a training device, not a real fight!

The Jong also teaches the proper hand and foot distancing between the student and an opponent so as to prevent jamming of hand/leg techniques and the resultant blocking of qi.

When studying the Jong, importance is placed on the understanding and sequence of movements and mastering them fully. Approach the Jong as one would an opponent, with the intent of mastering it and not vice versa. Understand and master each section before moving to the next one. Allow time for understanding of each section and applying it to your chi sau. You can also practice this form "empty-handed” without the use of the Jong, in order to realize the full potential of your movements. Both modes are essential to proper training.

Luk Dim Poon Kwan – Long Pole Form

The use of the Luk Dim Poon Kwan is learned in four phases:

1. Battle Punches (Jin Tsui)
2. Biu Kwan (Thrusting Pole)
3. Chi Kwan (Sticking Pole)
4. Luk Dim Poon Kwan- (6 1/2 point pole form)

A firm understanding of the three forms and the wooden dummy is essential prior to studying the pole. One needs a partner to learn the pole correctly. Play the pole form until it becomes second nature and overall proficiency is attained.

“Always remember, the advanced techniques are the basic techniques mastered.” To master the techniques takes patience and time, hard training and perseverance. The long pole trains the development of your punch to make it exceptionally strong and powerful. This weapon is very powerful and dangerous. It is unforgiving in that no one can withstand one hit from the Kwan. This training serves to enhance and refine one’s empty hand skill as well. You will find that it expands your understanding of the Wing Chun system and particularly the centerline theory.

“Kung Fu power comes up from the ground and is generated by the legs, directed through the hips, magnified by the torque and alternate arm pulling motions, enhanced with forward momentum from stepping, released out of the hand into your weapon and delivered through your opponent: - Late Grandmaster Moy Yat.

Pah Chum Do – Eight Slash Knives

This weapon provides training in mobility and further enhances precision in movement. Practicing the knives is comparable to practicing the pole and dummy techniques. The principle is to overcome the opponent with fast, simple, straightforward strikes. The horse stance must be extremely mobile, agile and the energy forward requires total body commitment and coordination. The weapon enhances the application and exertion of qi with the wrist and forearms, which improves your skills in hand combat. Because the weapons extend your energy range, you ability in Chi Sau and combat will be vastly improved.

In order for the knives to be effective against longer weapons, the emphasis on footwork and controlling the centerline will improve your overall Wing Chun kung fu tremendously. Understanding and mastering the nature of each technique will lead to greater insights into the principles of economy of motion, recovering the centerline and unity of footwork, hip and hand movements.

Few Wing Chun families can claim the knowledge existent within our family in all aspects of Wing Chun; the knives are seen as the treasure of the system. The knives give the student the attitude of relentless pursuit until the opponent is incapacitated.

Chi Sau

Chi Sau (sticking hands) training is a signature component of Wing Chun Kung Fu. Chi Sau allows the practitioner to integrate various aspects of the Wing Chun system. It is first and foremost an energetic sensitivity exercise. Through prescribed arm positions, structure and movement you can begin to attune to the energy of your training partner. You begin to focus and sense the energy (qi). The connection through the arm contact is the portal wherein each person learns how to deeply sense and feel movement, tension and energy from your partner.

I emphasize the word partner, because chi sau must be done cooperatively if there is to be proper learning about energetic sensitivity. In the beginning of chi sau training, the movements must be done in a slow and relaxed manner, to allow the body to learn how to sense and feel energy. In doing chi sau this way, you can set an intention to “pay attention” to sensation and energy on a subtle level. If chi sau is done quickly and aggressively without cooperation, the body learns to become tense, rigid and insensitive. The body reacts to fear or anger instead of learning how to respond with proper technique and energy in an intentionally relaxed manner. Remember, the more relaxed the practitioner is, the more he/she will be able to develop speed and power.

Once a basic foundation of proper technique, structure and energetic sensitivity has been laid, you can slowly start to integrate a variety of hand strikes, blocks, and trapping techniques. Again, this needs to be done in a cooperative manner where each person intentionally assists his or her partner by taking turns feeding energy (initiating techniques) to the other and allowing the other to respond properly in a calm manner. Soon, the practitioners’ energy begins to flow between them, almost like dancers, where one person leads and the other follows. Through this prescribed mode of “playing chi sau”, your ability to respond becomes quicker and more powerful as your body has been allowed to learn progressively under ideal training conditions.

Chi Sau training can now progress to include shifting, stepping and coordinating the flow, exchange and release of full body energy. At this level, all chi sau movement and energy originates from the daan tin, or qi storage area, located just below the navel of the body. Through the initiation of leg and hip movements and coordinated with breath, the qi is moved from the core of the body to flow outwards. The qi is released in a direct and focused way through strikes, blocks, kicks or traps. In this way, the qi is radiated from the core of the body towards the extremities (hands, feet) and is then gathered back up into the core, via breath and relaxed muscles. The qi is again ready to flow and be released at lightning speed with maximum power and effect. This oscillation of “relaxation and release” is the ideal state of being when practicing chi sau. With the exception of a strike, when we release qi we train to use the least amount of energy required to accomplish our goal. Our goal, via blocks or traps, is to control the centre line of the partner. We want to use the least amount of energy because it is consistent with the Wing Chun principle of efficiency and when we use less to achieve more, our ability to maintain sensitivity is at an optimal level. Even as we train to block, trap and eventually strike we want to maintain our ability to sense and perceive changes in our partner’s energy and movements. This is so we may be able to further adapt to our partner’s attempts to avoid being controlled on the centerline. Only when we know that there is no escaping our dominance of the centerline, we can know that we can hit at will. In chi sau there is no need to hit your partner. You know you could if this were a real self-defense situation. Chi Sau is not combat, it is a training technique to prepare you for combat.

If you practice chi sau aggressively, with little sensitivity and control, and no cooperation, you are no longer training chi sau. You are now training your ego and pride. Under these less than ideal conditions, skill development is arrested. Further, your partner will become demoralized and tired. It is not pleasurable to be hit and to use aggressive energy in chi sau. You will deplete your qi, muscles will become sore and tired, sensitivity will become numbed and your spirit will suffer. Your kung fu training will stagnate and you will likely give up training, thinking that you have learned all there is to know about chi sau. Chi Sau, when practiced properly, will offer a lifetime of learning. There are no limits to how energetically sensitive you can become.

There is a time, place and means to train with more “realistic” self-defense energy within the Wing Chun system. This comes only after much training, discipline, control and skill development. Training with this self-defense energy should only be done when there is a solid base of integrated Wing Chun knowledge and skill within you. Chi Sau training is one of the tools to prepare you for this.

For further information contact Sifu Jim Kragtwyk